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Artworks

Prosper Aluu, What We Learn From Each Other, 2025

Prosper Aluu Nigeria, b. 1999

What We Learn From Each Other, 2025
Technique mixte sur toile
Mixed medias on canvas
152.4 x 190.5 cm
60 x 75 in
©Prosper Aluu
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This work centers learning as a collective act rather than an individual pursuit. Four figures gather around a single book, yet no one reads in isolation. Hands are extended, gestures...
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This work centers learning as a collective act rather than an individual pursuit. Four figures gather around a single book, yet no one reads in isolation. Hands are extended, gestures overlap, and attention moves laterally; from one body to another, suggesting that knowledge here is produced through exchange, debate, and interruption.

The open book functions less as an authority and more as a catalyst. Its contents are incomplete without the spoken contributions, lived experiences, and disagreements of those present.

The collaged surfaces of the figures’ clothing; composed of newspapers, images, and fragments of public life signal that each participant arrives carrying their own archive. Education becomes a convergence of these personal and social histories.

There is no clear hierarchy among the figures. Instead, the scene reflects an informal classroom where learning emerges through conversation and proximity. The work questions institutional models of education by proposing dialogue, shared memory, and communal interpretation as equally valid forms of knowledge production.

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Cette œuvre place l’apprentissage au cœur d’une dynamique collective plutôt qu’individuelle. Quatre personnages se rassemblent autour d’un livre ouvert, mais aucune ne lit isolément. Les mains se croisent, les gestes se répondent, l’attention circule d’un corps à l’autre.

Le livre ne fonctionne pas comme une autorité incontestable, mais comme un point de départ. Son contenu reste incomplet sans les paroles, les expériences et les désaccords de celles et ceux qui l’entourent.

Les vêtements en collage — constitués de journaux, d’images et de fragments de vie publique — indiquent que chacun arrive avec sa propre archive. L’éducation devient la rencontre de ces histoires personnelles et sociales.

Aucune hiérarchie claire ne structure la scène. La classe se transforme en espace informel où le savoir émerge de la conversation et de la proximité. L’œuvre remet en question les modèles institutionnels et propose le dialogue, la mémoire partagée et l’interprétation collective comme formes légitimes de production du savoir.
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